IPwars.com

Mainly intellectual property (IP) issues Down Under

Happy birthday to me

well, IPwars really.

Yes, six years ago today IPwars started rearranging electrons in the interstices of the interwebs (as some of our American cousins call them).

It’s rather hard to work out vital statistics since then as, for 4 years, IPwars was generated by the (now defunct) iBlog software before moving to WordPress.

It does seem that ‘Sounds Different’ was the burning issue that attracted the very first report. Understanding about that elusive concept, trade mark usage, has become sufficiently well understood in the intervening years that it was the subject of the ‘trade marks session’ at this year’s IPSANZ Annual Conference.

I (or perhaps that should be you) blame Marty Schwimmer, at the Trademark blog, Denise Howell and the others at (then) Between Lawyers, for inspiring me to venture into cyberspace.

Then, to those of you out there who read the posts, sometimes send my your own comments even occasionally become so outrageous as to post them publicly, thank you.

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300 years ago, today

copyright came into being – the Statute of Anne commenced –

See for yourself.

Of course, in 1710, Great Britain still operated on the Julian Calendar (the Gregorian calendar not being adopted until September 1752) 10 April 1710 in the Julian calendar would have been 21 April 1710 in the Gregorian calendar (using this calculator, or for those of you who remember fondly things like RPN, try here).

So, it seems we still have time to plan the party! Maybe we could combine it with the plastic-y world IP day celebrations on 26 April?

Lid dip: Kay Lam-MacLeod

The oldest Australian film

Last week, various news agencies carried reports about a showing of Australia’s oldest, or oldest surviving, film – Patineur Grotesque.

The story, with links to the video, at the ABC, the Age and the SMH. The curator’s clip and notes at Australian Screen.

It was made by Marius Sestier, on a mission from the Lumiere brothers, in 1896; but apparently not shown in Australia (for risk of defamation?).

Wikipedia lists it as one of 3 “first” Australian films. However, if the Age is to be believed, M. Sestier arrived in Australia with the new fangled invention only to find the pesky Rickard had already introduced the movies.

New Chief Judge of the Federal Court

The Attorney-General has announced  that Justice Pat Keane will become the new Chief Justice of the Federal Court on the statutory retirement on 21 March of Chief JusticeMichael Black.

Justice Keane is currently a Justice of Appeal in Queensland and will become the third Chief Justice.

Announcement here.

Lid dip: Peter Clarke

Holidays

IPwars is heading off into the sun, sand and the salty brine. Blogging will hopefully resume “on or about” Australia Day … more likely “about”.

In the meantime

Wishing you all the Compliments of the Season!

and a happy, healthy and safe 2010.

IPwars and irregular posting

Due to the exigencies of my day job, it is unlikely that IPwars will be in a position to post with anything like a degree of frequency until after Cup Day.

Hope to see you at the other end of the tunnel!

Test – please ignore

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Selected microblog posts w/e 30/8/09

Selected microblog posts from the past week:

  • Wyeth gets interloc. injunction in Australia against Alphapharm for alleged infringement of Efexor-XR patent:http://bit.ly/dvYwy
  • Kenny J also rejects a higher threshold for interlocutory injunctions in patent cases http://bit.ly/SQViX ; Beecham doesn’t rule.
  • Pros and Cons of Stand-Alone Non-Verbal Logos and Other Trademark Styles: A Legal Perspective : Duets Bloghttp://ff.im/-73bMH
  • RT @MegLG: Three Chocolate Companies Run Three Different Ways when it comes to TMs http://ow.ly/l2kyProperty, Intangible via @RonColeman

Harvard Bus School on the impact of file sharing

Felix Oberholzer-Gee at Harvard and Koleman Strauss at Uni. of Kansas take an empirical look at the effect of file sharing on copyright industries.

They accept that file sharing has weakened copyright protection (although they are quite sceptical about the studies trying to prove this). They argue this is only part of the question, however, for policy-makers. They contend that, if the role of copyright is to provide incentives to create new works, it is necessary to look rather more widely.

For example, they note:

  • the publishing of new books increased by 66%
  • the number of new albums released more than doubled;
  • the number of feature films produced has increased by 30%,

in the early years of the 21st century.

They also note that revenues from concert sales and merchandising and the like has also increased.

Exploring this, their tentative conclusion for policymakers:

The role of complements makes it necessary to adopt a broad view of markets
when considering the impact of file sharing on the creative industries. Unfortunately, the
popular press – and a good number of policy experts – often evaluate file sharing looking
at a single product market. Analyzing trends in CD sales, for example, they conclude that
piracy has wrecked havoc on the music business. This view confuses value creation and
value capture. Record companies may find it more difficult to profitably sell CDs, but
the broader industry is in a far better position. In fact, it is easy to make an argument that
the business has grown considerably.

The role of complements makes it necessary to adopt a broad view of markets when considering the impact of file sharing on the creative industries. Unfortunately, the popular press – and a good number of policy experts – often evaluate file sharing looking at a single product market. Analyzing trends in CD sales, for example, they conclude that piracy has wrecked havoc on the music business. This view confuses value creation and value capture. Record companies may find it more difficult to profitably sell CDs, but the broader industry is in a far better position. In fact, it is easy to make an argument that the business has grown considerably.

Download the pdf here.

Lid dip Joshua Gans

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